Colin Goldberg, New Plastic Shodo #5, 2013. Sumi ink, acrylic and pigment print on Kinwashi paper 18.75 x 12.25 in (47.63 x 31.1 cm). Unique work. Signed, titled, and dated. Permanent Public Collection, VCA (Verostko Center for the Arts), Latrobe PA USA I am honored to announce that my 2013 work on [...]
METAGRAPH SERIES My Metagraph NFTs are a series of 23 audiovisual artworks, each of which is a 23-second loop containing animation and original audio. These works are based on my Metagraph series of abstract digital drawings created in New York’s East Village and Southampton New York between 1999 and 2004. The pieces were drawn with a graphics tablet [...]
I was excited to wake up on Wednesday to a nifty surprise: I won some crypto in an art contest! I had created an animation for an art contest created by a new NFT project called Niftorian. The theme was owls, which is the platform's mascot. My owl was a little bit trippy looking, and [...]
Friday, December 3, 4PM Eastern on Zoom SIGGRAPH SPARKS - Within the Frame: Continuum of the Still Image ACM SIGGRAPH is a special interest group of the Association for Computing Machinery (ACM), the world’s first and largest computing society, ACM SIGGRAPH offers a diverse menu of programs and services for its members and the computer [...]
CREATIVE INTENTIONS - Part III: Art and Technology Live on ZOOM: Wednesday Feb 24, 3:30-5PM Artist Colin Goldberg with recent paintings Invictus, 2020 (left) and Dr. No, 2020 (right). Each work is 48 x36 inches, acrylic and archival inkjet on linen. Photo: Aya Goldberg. How can artists use innovative new technology [...]
Kozo, 2017. India ink and pigment print on Rives BFK paper. 18 x 12 in. (45.72 x 30.48 cm) I am honored and humbled to have my 2017 work on paper Kozo accepted into The Anne and Michael Spalter Digital Art Collection (Spalter Digital), one of the world’s largest private collections of early computer [...]
About ten years ago, I came up with the term “Techspressionism” as the title for a self-produced show at 4 North Main Gallery in Southampton. For the last six months or so I have been expanding this concept into an online community of artists working with technology. The group currently includes around 200 talented artists [...]
COVID TEST A (left) , COVID TEST C (right), 2020. India ink, acrylic, and pigment print on linen. 60 x 36 inches each. Photo by Aya. My COVID TEST series is a set of four recently completed paintings based on photos captured during our family’s drive-through COVID-19 [...]
A suite of four works on paper from my Wireframe series as well as Dynamic Dispatch, a wireframe painting from 2012, were recently purchased by Stony Brook University Hospital for inclusion in their permanent public collection. The works will be installed in the Bed Tower, a new building on the Hospital campus slated to open to the public in January 2019. The eight-story Medical and Research Translation (MART) and Bed Tower building operates as the university’s new headquarters for cancer research, advanced medical imaging and cancer care.
As part of my ongoing website redesign project, I have been working on rewriting my artist bio, and was reminiscing about my time living in the East Village of NYC back in the mid 1990's. During this time, I was commissioned by Earth Day to create the series of digital photomontages pictured above.
I have been reviewing my archives of historical materials, and came across a video interview I conducted with artist and theoretician Joseph Nechvatal in Manhattan in 2000. It was originally recorded for Everbeta, which was (at the time) an early streaming content network for the arts. The interview takes place during a walk between our studios in Manhattan's East Village and Lower East Side. It is raw footage with in-camera editing only, and is primarily a discussion on Viractualism, the topic of Nechvatal's Ph.D thesis.
I will be participating in an exhibition entitled "Hybrid" at Alex Ferrone Gallery in Cutchogue NY, opening this Saturday. Ferrone's gallery focuses on fine art photography and work incorporating photographic elements. The pieces of mine which were selected for this exhibition are all one-of-a-kind hand-painted pieces from a body of work which I call “Photoconstructs”.
